Freedom for Humanity was a temporary mural by the American artist Mear One (Kalen Ockerman), painted on a wall in Hanbury Street, London in mid-September 2012. It depicted men wearing business suits seated on the backs of bent over naked figures around a table, playing a Monopoly-like board game that rests. Overseeing the scene is an Eye of Providence surrounded by images of industry and protest.
The mural was criticized for using Anti-semitic tropes and imagery including stereotypical depictions of Jews, references to finance and the monetary and Masonic associations of the Eye of Providence. A local Jewish Conservative Party councilor likened the mural to antisemitic propaganda in pre-war Germany. Lutfur Rahman, then mayor of Tower Hamlets, sought to have the mural removed. "The images of the bankers perpetuate anti-Semitic propaganda about conspiratorial Jewish domination of financial and political institutions", he said.
Mear One responded:
"I came to paint a mural that depicted the elite banker cartel known as the Rothschilds, Rockefellers, Morgans, the ruling class elite few, the Wizards of Oz. They would be playing a board game of monopoly on the backs of the working class. The symbol of the Free Mason [sic] Pyramid rises behind this group and behind that is a polluted world of coal burning and nuclear reactors. I was creating this piece to inspire critical thought and spark conversation. A group of conservatives do not like my mural and are playing a race card with me. My mural is about class and privilege. The banker group is made up of Jewish and white Anglos. For some reason they are saying I am anti-Semitic. This I am most definitely not... What I am against is class."
Nick Wright wrote in a Morning Star article that although only two of the depicted figures were meant to be Jewish, the piece "clearly exaggerates the distinctive features of all six men" and that "exaggerated depictions of Jews are created, disseminated and understood in a historically defined context that includes a powerful, even dominant, discourse that draws upon the long traditions of antisemitism embedded in the dominant ideology and expressed, over the centuries, in the dominant visual culture". Further he states "the subterranean narratives around notions of the Illuminati, Freemasonry and bourgeois conspiracies cannot, in much popular imagination, be disentangled from deeply suspect discourses in which alien, semitic and covert elites are the controlling forces in our lives".
(Wikipaedia 2022)